Luso Music

BRAZIL: ORKESTRA RUMPILEZZ

The Orkestra Rumpilezz is an orchestra of percussion and brass created in 2006 by Letieres Leite. It’s about a group of instrumental folk music in which music is attributed to the ancestral music from Bahia in a harmonic modern garb, percussion with African roots and under the influence of modern jazz. Both compositions and arrangements are conceived from drawings and rhythm of the claves from the percussive universe of Bahia - inspired in large associations such as the percussive Ile Aiye, Olodum, Sambas Recôncavo, among others - with the influence of Candomblé.

The Orchestra consists of five musicians in the percussion (drums, deaf, timbau, agogo, tambourine, caxixi) and 14 brass musicians (four trumpets, four trombones, two alto sax, 2 tenor sax, a baritone sax and 1 tuba).

Source: http://en.wikipedia.org/wiki/Orkestra_Rumpilezz

Links:

http://www.rumpilezz.com/

MySpace

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MOZAMBIQUE: MABULU

“The Mozambican band Mabulu symbolizes its nation’s ongoing attempt to heal the wounds of a bloody, 16-year-long civil war by uniting up-and-coming young rappers and singers with master musicians from the golden age of marrabenta, Mozambique’s classic pop sound of the ’60s and ’70s.

Formed in 2000 under the auspices of East German expat producer Roland Hohberg, Mabulu brought together 62-year-old Lisboa Matavel and António Marcos (the “Grand Old Men of Marrabenta”) with such youngbloods as 22-year-old rapper Chiquto and 20-year-old singer Chonyl. The group was rounded out by drummer Jorgito, bassist Eduardo and rhythm guitarist Zoco, all members of the Mozambican pop group Mix Malta. The result was a multigenerational mashup that breathed fresh new life into an elegant, but fading style.

That style is marrabenta, the dance music that grew up in the East African nation’s capital, Maputu (known as Lourenço Marques in the era of Portuguese colonial rule), and it has a lilting, Latinate feel one might expect in a port town that was once connected, via the Portuguese maritime empire, to Brazil, Cape Verde and Angola. Mabulu added elements of South African kwela, Zimbabwean chimurenga and homegrown hip-hop into the mix to come up with a whole new take on the music.

Unfortunately, their initial recording sessions coincided with devastating floods that plagued Mozambique that same year, so their project of unity and reconciliation took on a more urgent tone, and the fledgling group found itself performing for disaster relief efforts, instead of local audiences. But Mabulu returned triumphantly a year later with their second release, Soul Marrabenta (Riverboat), and brought along another living legend, Dilon Djindji, for the ride. The result was a rousing international success that proved that this unique multigenerational project had a few more lessons to teach the people.”(1)

“Maldeyeni starts off with two infectious electric guitars, and then a strong, organic drum beat drops, followed shortly by a steady, leathery voice that sounds paternal, wise even. Welcome to marrabenta, the national genre of Mozambique. It is the country’s dance music of choice, a genre influence by Mozambican folk rhythms fused with early Portuguese folk music. Mabulu adds a fresh, western spin on the genre, adding a hip hop element to it. It is comprised of old school marrabenta artists in their 60’s, such as Lisboa Matavel and Antonio Marcos, and fresh faced Mozambican rappers like Chiquinho and Chonyl, offering a unique generational interpretation of the country’s musical past and future.” (2)

Source:
(1) National Geographic World Music

(2) Caipirinha Lounge 

Buy Mabulu’s record at: Amazon or iTunes

CAPE VERDE: FERRO GAITA

The band’s name comes the combination of two instruments: the iron (metal piece played with a knife) and ” gaita” (a type of accordion), used in traditional Cape Verdean music. These are the basic instruments of the musical genre most touched by the group: funaná, which had its genesis with the arrival of the accordion to Cape Verde.

Source: http://www.ferrogaita.cv/conteudo/biografia.html [pt]

GUINE BISSAU: KIMI DJABATÉ

Kimi Djabaté is a guitarist, percussionist and balafón (African xylophone) player from Guinea-Bissau, a former Portuguese colony in West Africa. Djabaté’s music is enchanting and melodic, with touches of Afro-Latin swing accenting the gentle sounds of the balafón. Fans of Habib Koité, Toumani Diabaté, Cesaria Evora or Sara Tavares will find much to love in Kimi Djabaté’s stunning songs. 

* You can download for free one of his tracks at Bandcamp, or even better, buy the complete CD :)

Source: http://kimidjabate.bandcamp.com/

do you know where i can download this (http://lusomusic.tumblr.com/post/721970155/angola-batida-the-new-single-of-batida) song?? i looked everywhere for it and couldn't find it

have you tried iTunes? If they don’t have it, maybe the only way is to listen through Youtube and/or sadly extract it from the video… :(

cheers!

ANGOLA: OS LAMBAS

“Guided by the leader of the Band, Nagrelha, the group is also composed by fellow musicians Bruno King and Tio K. Considered as the best “Kuduro” music style of Luanda’s high density suburb of Sambizanga and one of the most population in the country, the group released in 2007 the album “Somos nós Mesmos” that led the sales and signing of autographs with more than 10,000 copies.

Also known as the devils of Sambizanga, the trio emerged in the middle of 2004 with the song “Dança dos Lambas”. Within short, the group reached success and became a phenomenon of kuduro of the 2000 generation, marked by the emergence of such singers as Noite e Dia, Puto Prata, Puto Português, Fofandó, Nacobeta, Pai Diesel, Puto Lilas, Agre G, Bruno M and others.

Their repertoire includes several hits like “Comboio”, “Rebenta”, “Quebrada Lamba”, “Querem Quê”, “Tá Gosa”, “Se Desfiou”, “Show Mamá”, “Sapo”, “Rompimento”, “Na Palma da Mão”, “Mexer o Bumbum”, “Killa”, “Eu Vou Adoçar”, “É Dibo”, “Dança da Vassoura” and “Aguenta Barrulho”.”

Source: AllAfrica.com

MySpace: http://www.myspace.com/oslambasoriginal

EAST TIMOR: EGO LEMOS

“Ego Lemos is a remarkable man, with a remarkable voice in more ways than one. Regarded as a significant East Timorese community member, Ego has lived through three tumultuous periods of his nation’s history. He has interpreted and modernised some of the most beautiful and heart-wrenching traditional melodies from his nation’s history, and produced a wreath of original songs in the Nation’s lingua-franca, Tetum. He sings about issues such as the centrality of water to life, praises the nation’s peasant farmers in their unceasing toil, and urges his people to remain positive and strive for unity.”

Source: http://www.myspace.com/egolemos